FGE

January 21, 2001
the city of Kiev, the mountain Schekavitsa

"The Birds" / share
"Betrothal" FGE with the natural environment by okoltsovyvaniya birds.

"Betrothal" own term FGE, alongside with others previous: birth, emersion, and visiting. The given betrothal consists of three parts.

- Withdrawal of birds from the natural environment, but not automatic (as ready made), and by means of a craft where to not do without the certain knowledge and art.
- Wedding ring birds of three different breeds letters F -goldfinch, G - linnet and E - bullfinch.
- Wedding ring birds again set free.
The ringed birds are no longer part of the flock or of the nature as it is, for they have been chosen by men, nor do they belong to the men that ringed them any more. They are part of the abbreviation FGE on the one hand and on the other hand they are carriers and mediums, living borders of the invisible structure, adapted to the nature. We are not going to explore its ways and the transformation of the unity, triangulation of the FGE borders. We are not after the one and only meaning or even one of the meanings of this triangle. Our goal is to think about, invent and experience the bodiless multiplicity of ever changing triangles, the openness of the process of mutual relations: homo faber (the man of action, the inventor) - FGE, FGE - ringed birds, ringed birds - the nature, the nature - homo faber. The birds as a natural system would start putting together an invisible pattern. Moving, interweaving, bearing the dotted border of the FGE, unable to be seen, be they either physical or semiotic. As a concept one can imagine living creatures labeled by someone and putting up a certain act of living art, volatile and shapeless, but whole. But in reality we are aware that the migrating form of the FGE exists, at an unknown breadth and length, but at the known life span (10-12 years with birds). It is just another example of the absence of the entity of exposition in its invisibility and self-sufficiency in the nature, where there is no criticism, thinking and calculation. In this way the FGE continues its existence, a trip in the unknown direction.



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	January 21, 2001 the city of Kiev, the mountain Schekavitsa "The Birds" / share "Betrothal" FGE with the natural environment by okoltsovyvaniya birds. "Betrothal" own term FGE, alongside with others previous: birth, emersion, and visiting. The given betrothal consists of three parts. - Withdrawal of birds from the natural environment, but not automatic (as ready made), and by means of a craft where to not do without the certain knowledge and art. - Wedding ring birds of three different breeds letters F -goldfinch, G - linnet and E - bullfinch. - Wedding ring birds again set free. The ringed birds are no longer part of the flock or of the nature as it is, for they have been chosen by men, nor do they belong to the men that ringed them any more. They are part of the abbreviation FGE on the one hand and on the other hand they are carriers and mediums, living borders of the invisible structure, adapted to the nature. We are not going to explore its ways and the transformation of the unity, triangulation of the FGE borders. We are not after the one and only meaning or even one of the meanings of this triangle. Our goal is to think about, invent and experience the bodiless multiplicity of ever changing triangles, the openness of the process of mutual relations: homo faber (the man of action, the inventor) - FGE, FGE - ringed birds, ringed birds - the nature, the nature - homo faber. The birds as a natural system would start putting together an invisible pattern. Moving, interweaving, bearing the dotted border of the FGE, unable to be seen, be they either physical or semiotic. As a concept one can imagine living creatures labeled by someone and putting up a certain act of living art, volatile and shapeless, but whole. But in reality we are aware that the migrating form of the FGE exists, at an unknown breadth and length, but at the known life span (10-12 years with birds). It is just another example of the absence of the entity of exposition in its invisibility and self-sufficiency in the nature, where there is no criticism, thinking and calculation. In this way the FGE continues its existence, a trip in the unknown direction.