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2002 - ongoing project
the city of Kiev, Zamkovaya Mountain

"Fulcrum" / sculpture
Installed and functioning point of FGE, meaning that in a statement.

Cuba it is possible to consider, as the large correct stone utility and not utility character. Such stone has different significances and associations. It is possible to break brains if recollect three known problems of antique mathematics (doubling Cuba, quadrature of a circle and threesection of corner), is nowadays proved, that these problems have not decision. Still it is possible to recollect iconology of Leonardo Da Vinci, Miturich P. - their elements "of the picturesque alphabet ", Malevich K. a square (eternal "baby") and his grave-stone of Cuba, and also other sort of association: "stumbling-block", " a philosophical stone ". Cuba as a model which not looking only as the form (physical, verbal or virtual), but also in an interspatial original design - life of authors and therefore spectators. Some kind of concentration of power connections, multisubjection of thinking. All this can be related to conceptual reasons itself 3D the forms - model of "Cuba - stones", and it is possible simply to use as a little table on a panoramic kind, where is absent museum and exhibition taboo - right on high-grade contemplation. Site of Cuba has an important significance, in what that of a degree missed from a zone of an authority, being in its simultaneously. Cuba is in certain "blank" of socioculture zone, but surrounded by the communications. The richer than communications, the already "blank". In this "blank" from behind absence of the monitoring system there is an opportunity of absolute free interaction with versatile "rallying-point". On the one hand there is a lot of visual clothes changing, how many firmness of one form - Cuba. On the other hand its informatic party, which was reanimated from earlier mirror Station - 1 in pure white five-corner canvas " tabula rasa ". From here and name "a rallying-point ", as a beginning of new visual life one Cuba. The functioning FGE looks in a negative in relation to usual galleries, but plans "visiting" in a documentary kind. The interest is in itself sence of life according this project. The collective project make decoration of polylogic thinking. And not so necessarily form only rallying-point mutation of visual action of model is connected to the form (Cuba). An identification of the second body, as own "zna-nature" according with these there is no time to scale, there is only process of imposing of hand on hand as copying one "of cubic picture ".


 
 





 

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