FGE

2005
the city of Kiev

"Windows and Doors" / photo project
Interverntsiya FGE in the urban environment.

   The Project "Windows and Doors" Fiction Gallery Expedition marks the points in space, marking absence what that nor was, except recollection about forfeited urgency entry in building. Marking liberty as exhibition space, Fiction Gallery neatly saves in archive the points of the counting out of this liberty. So, released in river of fish mark the space FGE in arteries of the rivers; affianced FGE birds define the ceiling to nonexistent gallery, - a sky on city; the mirror cube, wheel "Semirenki", candlestick "AUM", "Stop" on deserted hill indicates unostentatious choice of the piers of the boat, hanging from purpose and purposes of the eternal sail solely.
    Fotoproekt FGE "Window and door", set photography blind of the windows and mortgaged brick doors, marked by signature FGE, - document the points in dwelling space, which no time were a facility to communications, but now them are not. The Frames blind windows, deaf openings mortgaged brick doors remind strained, not yet priming canvas. The Interpretation "canvas" duality: intuitive understandable that in this frame no time was living picture general humanly madia-project "Povsednevnosti", project, on participation in which are doomed we all until ability to produce and illustrate the verbs not to end the absurd word "death". But FGE avoids the mainly, and, not too scaring receptive spectator, points to change the exposures, return from three-dimensional art media to no soil planes brick wall, on which nothing no. Trehmernosti scenes final, confirms FGE, transforming passer-by in little artists to was not so bored mentally paint the rectangles of the empty frames львами and unicorn, boat and bird, fish and landscape, graphity-slogan street artist, emotional hits stret-arts, pulsing on unsettled empty surface worrisome megapolis.
    The Photographies "blind of" windows, marked by tablet with inscription "FGE" in the centre, all these walleye mortgaged brick doors, square-wave scars entry and output in buildings, populated - or no time populated - a possible spectator of the exhibitions and performans Fiction Gallery - a cross point past and future. The Functions mamorial are marked by other colour of the brick or plasters, confirming: door and window, facility to communications with the world, conductor of the light, possibility to fall into house or come out of it, more неактуальна. The Functions future monument former FGE marks own its presence, its signature, its manner to pay attention to points on surfaces of objective reality, where thought about liberty, about time, about new forshortening of the artistic potential of the object, finally, about beauty probable future, possible only to account nothing not limited liberties of the development to artistic idea, - appropriate.
Bogdana Pinchevskaya



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	2005 the city of Kiev "Windows and Doors" / photo project Interverntsiya FGE in the urban environment. The Project "Windows and Doors" Fiction Gallery Expedition marks the points in space, marking absence what that nor was, except recollection about forfeited urgency entry in building. Marking liberty as exhibition space, Fiction Gallery neatly saves in archive the points of the counting out of this liberty. So, released in river of fish mark the space FGE in arteries of the rivers; affianced FGE birds define the ceiling to nonexistent gallery, - a sky on city; the mirror cube, wheel "Semirenki", candlestick "AUM", "Stop" on deserted hill indicates unostentatious choice of the piers of the boat, hanging from purpose and purposes of the eternal sail solely. Fotoproekt FGE "Window and door", set photography blind of the windows and mortgaged brick doors, marked by signature FGE, - document the points in dwelling space, which no time were a facility to communications, but now them are not. The Frames blind windows, deaf openings mortgaged brick doors remind strained, not yet priming canvas. The Interpretation "canvas" duality: intuitive understandable that in this frame no time was living picture general humanly madia-project "Povsednevnosti", project, on participation in which are doomed we all until ability to produce and illustrate the verbs not to end the absurd word "death". But FGE avoids the mainly, and, not too scaring receptive spectator, points to change the exposures, return from three-dimensional art media to no soil planes brick wall, on which nothing no. Trehmernosti scenes final, confirms FGE, transforming passer-by in little artists to was not so bored mentally paint the rectangles of the empty frames львами and unicorn, boat and bird, fish and landscape, graphity-slogan street artist, emotional hits stret-arts, pulsing on unsettled empty surface worrisome megapolis. The Photographies "blind of" windows, marked by tablet with inscription "FGE" in the centre, all these walleye mortgaged brick doors, square-wave scars entry and output in buildings, populated - or no time populated - a possible spectator of the exhibitions and performans Fiction Gallery - a cross point past and future. The Functions mamorial are marked by other colour of the brick or plasters, confirming: door and window, facility to communications with the world, conductor of the light, possibility to fall into house or come out of it, more неактуальна. The Functions future monument former FGE marks own its presence, its signature, its manner to pay attention to points on surfaces of objective reality, where thought about liberty, about time, about new forshortening of the artistic potential of the object, finally, about beauty probable future, possible only to account nothing not limited liberties of the development to artistic idea, - appropriate. Bogdana Pinchevskaya